Music Theory for the Music Professional : A Comparison of common-Practice and popular genres Richard Sorce english

By:

Sorce Richard

Material type: Text

TextPublication details: New York Ardsley House Publishers 1995Description: viii, 549 p. ; hard bound 19.5x24 cmISBN:

1-880157-20-9

DDC classification:

23 781 SOR

Contents:

Part 1 Preface Chapter 2 1. A Reveiw of Fundamentals Chapter 3 2. Rhythm Chapter 4 3. Scales, Keys, and Modes Chapter 5 4. Intervals Chapter 6 5. Triads Chapter 7 6. Seventh Chords Chapter 8 7. Voice Leading and Four-Part Writing Chapter 9 8. Harmonic Progression Chapter 10 9. Nonharmonic Tones Chapter 11 10. Melody Chapter 12 11. Musical Structure Chapter 13 12. Secondary Dominants and Dominant Sevenths Chapter 14 13. Functions of Diminished Chords Chapter 15 14. Borrowed Functions: Movmments and Regions Chapter 16 15. The Neapolitian Chord Chapter 17 16. German, French, and Italian Augmented Sixth Chords Chapter 18 17. Upper-Partial Chords: Ninths, Elevenths, and Thirteenths Chapter 19 18. Stepwise, Mediant, and Tritone Relationships Chapter 20 19. Modulation Chapter 21 20. Secundal, Quartal, and Quintal Harmony Part 22 Appendices Part 23 Glossary Part 24 Index

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Item type	Current library	Collection	Call number	Status	Barcode
Books	Tetso College Library Reference	Reference	781 SOR (Browse shelf(Opens below))	Not For Loan	15019

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Previous	659.1 JEF Advertising english	659.2 LES Lesly's Handbook of Relations and Communications english	709 HAU The Social history of Art: English	781 SOR Music Theory for the Music Professional : english A Comparison of common-Practice and popular genres	781 ZIN Basics of Music :Opus 1 / english	781.2 AST Music Theory in Practice Grade 8 : English The Associated Board of the Royal Achools of Music /	783.0423 CAR Sight Singing Complete :/	Next

Part 1 Preface
Chapter 2 1. A Reveiw of Fundamentals
Chapter 3 2. Rhythm
Chapter 4 3. Scales, Keys, and Modes
Chapter 5 4. Intervals
Chapter 6 5. Triads
Chapter 7 6. Seventh Chords
Chapter 8 7. Voice Leading and Four-Part Writing
Chapter 9 8. Harmonic Progression
Chapter 10 9. Nonharmonic Tones
Chapter 11 10. Melody
Chapter 12 11. Musical Structure
Chapter 13 12. Secondary Dominants and Dominant Sevenths
Chapter 14 13. Functions of Diminished Chords
Chapter 15 14. Borrowed Functions: Movmments and Regions
Chapter 16 15. The Neapolitian Chord
Chapter 17 16. German, French, and Italian Augmented Sixth Chords
Chapter 18 17. Upper-Partial Chords: Ninths, Elevenths, and Thirteenths
Chapter 19 18. Stepwise, Mediant, and Tritone Relationships
Chapter 20 19. Modulation
Chapter 21 20. Secundal, Quartal, and Quintal Harmony
Part 22 Appendices
Part 23 Glossary
Part 24 Index

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