An Introduction to Film Studies Jill Nelmes english

By:

Nelmes Jill

Material type: Text

TextPublication details: USA Routledge 2002Edition: 2nd ed 1999Description: vi-522 p. soft bound 19*25 cmISBN:

0-415-17310-8

DDC classification:

23 791.43 NEL

Contents:

Introduction to the third edition / Jill Nelmes Pt. 1. Institutions and Audiences Ch. 1. Cinema as institution / Searle Kochberg Pt. 2. Approaches to Studying Film Texts 2. Film form and narrative / Allan Rowe and Paul Wells 3. Spectator, audience and response / Patrick Phillips 4. Critical approaches to Hollywood cinema: authorship, genre and stars / Paul Watson Pt. 3. Genre Forms - Realism and Illusion 5. The documentary form: personal and social 'realities' / Paul Wells 6. Animation: forms and meanings / Paul Wells Pt. 4. Representation of Gender and Sexuality 7. Gender and film / Jill Nelmes 8. Lesbian and gay cinema / Chris Jones Pt. 5. National Cinemas 9. Marking out the territory: aspects of British cinema / Amy Sargeant 10. Indian cinema / Lalitha Gopalan 11. The Soviet montage cinema of the 1920s / Mark Joyce 12. The French New Wave / Chris Darke.

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Books	Tetso College Library Reference	Reference	791.43 NEL (Browse shelf(Opens below))	Not For Loan		11234

Introduction to the third edition / Jill Nelmes
Pt. 1. Institutions and Audiences
Ch. 1. Cinema as institution / Searle Kochberg
Pt. 2. Approaches to Studying Film Texts
2. Film form and narrative / Allan Rowe and Paul Wells
3. Spectator, audience and response / Patrick Phillips
4. Critical approaches to Hollywood cinema: authorship, genre and stars / Paul Watson
Pt. 3. Genre Forms - Realism and Illusion
5. The documentary form: personal and social 'realities' / Paul Wells
6. Animation: forms and meanings / Paul Wells
Pt. 4. Representation of Gender and Sexuality
7. Gender and film / Jill Nelmes
8. Lesbian and gay cinema / Chris Jones
Pt. 5. National Cinemas
9. Marking out the territory: aspects of British cinema / Amy Sargeant
10. Indian cinema / Lalitha Gopalan
11. The Soviet montage cinema of the 1920s / Mark Joyce
12. The French New Wave / Chris Darke.

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