000 | 01115nam a22001577a 4500 | ||
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008 | 221013b |||||||| |||| 00| 0 eng d | ||
020 | _a978-0-253-02685-9 | ||
082 |
_223 _a070.18 _bNIC |
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100 | _aNichols Bill | ||
245 |
_aIntroductory to Documentary _cBill Nichols _hEnglish |
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250 |
_a3rd ed _b2017 |
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260 |
_aIndiana _bIndiana university Press _c2017 |
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300 |
_aix-258 p. ; _bsoft bound _c18*25 cm |
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505 | _aIntroduction How can we define documentary film? Why are ethical issues central to documentary filmmaking? What gives documentaries a voice of their own? What makes documentaries engaging and persuasive? How did documentary filmmaking get started? How can we differentiate among documentary models and modes? what are the Poetic, expository, and reflexive modes? How can we describe the observational, participatory, and performative modes of Documentary film? How have documentaries addressed social and political issues? How can we write effectively about documentary? I want to make a documentary. Where do I start? Appendix: Sample film project proposal. | ||
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_2ddc _cBK |
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_c7646 _d7646 |