| FORMATTED CONTENTS NOTE |
Unit 1<br/>A. RhythmSimple Meter: One-, Two-, and Three-Beat Values<br/>B. Diatonic Models and Melodic Fragments for Interval Singing: M2nd and m2nd<br/>C. Melodies (Major): M2 and m2<br/>D. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2<br/>E. EnsemblesTwo Voices: M2 and m2<br/>Unit 2<br/>A. RhythmCompound Meter: Triple Division of the Beat<br/>B. Diatonic Models and Melodic Fragments for Interval Singing: P5, P4, M3, m3, M2, and m2<br/>C. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2<br/>D. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2<br/>E. EnsemblesTwo Voices: P5, P4, M3, and m3 within the Tonic Triad and M2 and m3<br/>Unit 3<br/>A. RhythmSimple Meter: Duple Division of the Beat<br/>B. Diatonic Models and Melodic Fragments for Interval Singing: P8, P5, P4, M3, m3, M2, and m2<br/>C. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2<br/>D. Melodies (Minor)<br/>E. EnsemblesTwo Voices: P5, P4, M3, and m3 within the Tonic Triad and M2 and m2<br/>Unit 4<br/>A. RhythmSimple Meter: Quadruple Subdivision of the Beat<br/>B. Diatonic Models and Melodic Fragments for Interval Singing: m10, P8, P5, P4, M3, m3, M2, and m2<br/>C. Melodies (Major and Minor): P5, P4, M3, m3, M2, and m2<br/>D. Melodies (Major and Minor): P5, P4, M3, m3, M2, and m2<br/>E. Ensembles<br/>Unit 5<br/>A. RhythmSimple Meter: Irregular Division of the Beat (the Triplet)<br/>B. Diatonic Models and Melodic Fragments for Interval SingingNew Intervals: M6 and m6<br/>C. Melodies (Major and Minor): New Intervals: M6 and m6<br/>D. Melodies (Major and Minor): New Intervals: M6 and m6<br/>E. Ensembles<br/>Unit 6<br/>A. RhythmSimple Meter: More DifficultQuadruple Subdivision of the Beat<br/>B. Diatonic Models and Melodic Fragments for Interval SingingReview: M6 and m6<br/>C. Melodies (Major and Minor): M6 and m6<br/>D. Melodies (Major and Minor): M6 and m6<br/>E. Ensembles<br/>Unit 7<br/>A. RhythmReview of Simple Meter with Emphasis on Irregular Division of the Beat: The Triplet<br/>B. Diatonic Models and Melodic Fragments for Interval SingingNew Interval: M7<br/>C. Melodies (Major and Minor): New Intervals: M6 and m6<br/>D. Melodies (Major and Minor): New Intervals: M6 and m6<br/>E. Ensembles<br/>Unit 8<br/>A. RhythmReview of Simple Meter and Compound Meter<br/>B. Diatonic Models and Melodic Fragments for Interval SingingNew Interval: M7<br/>C. Melodies (Major and Minor): m7<br/>D. Melodies (Major and Minor): m7<br/>E. Ensembles<br/>Unit 9<br/>A. RhythmCompound Meter: Subdivision of the Beat<br/>B. Diatonic Models and Melodic Fragments for Interval SingingNew Intervals: A4 and d5<br/>C. Melodies (Major and Minor): Chromatic Alterations, Modulating and Nonmodulating<br/>D. Melodies (Major and Minor): Chromatic Alterations, Modulating and Nonmodulating<br/>E. Ensembles<br/>Unit 10<br/>A. RhythmSimple Meter: Mixed Meters and Irregular Division of the Beat<br/>B. Diatonic and Chromatic Models and Melodic Fragments for Interval SingingReview: A4 and d5<br/>C. Melodies with Chromatic Alterations<br/>D. Melodies with Chromatic Alterations: Modulating<br/>E. Ensembles<br/>Unit 11<br/>A. RhythmCompound Meter and Simple Meter: Irregular Divisions of the Beat (the Quartolet in Compound Meter, and the Triplet in Simple Meter)<br/>B. Diatonic and Chromatic Models and Melodic Fragments for Interval SingingNew Intervals: d7 and A2<br/>C. Melodies with Unusual Modal Characteristics<br/>D. MelodiesChromatic Alterations: Modulating and Nonmodulating<br/>E. Ensembles<br/>Unit 12<br/>A. RhythmCompound Meter and Simple Meter: Subdivision of the Beat into Eight Parts<br/>B. Diatonic and Chromatic Models and Melodic Fragments for Interval StudyNew Intervals: A6 and d3<br/>C. Melodies with Unusual Modal Characteristics<br/>D. MelodiesChromatic Alterations: Modulating and Nonmodulating<br/>E. Ensembles<br/>Unit 13<br/>A. RhythmSimple Meter: The Supertriplet<br/>B. Diatonic and Chromatic Models and Melodic Fragments for Interval SingingNew Interval: d4<br/>C. Melodies Related to Jazz<br/>D. Melodies by Duke Ellington<br/>E. Ensembles<br/>Unit 14<br/>A. RhythmSimple Meter and Compound Meter: The Subtriplet<br/>B. Diatonic, Chromatic, Whole-Tone, and Octatonic Models and Melodic Fragments for Interval Singing<br/>C. Twentieth-Century Cabaret Songs by Arnold Schoenberg<br/>D. Twentieth-Century Songs<br/>E. Ensembles<br/>Unit 15<br/>A. RhythmChanging Meters<br/>B. Diatonic, Chromatic, Whole-Tone, and Octatonic Models and Melodic Fragments for Interval Study<br/>C. Twentieth-Century Songs for Careful Study and Preparation<br/>D. Vocalises by Arthur Honegger, Bohuslav Martinū, and Olivier Messiaen<br/>E. Ensembles of the Twentieth Century<br/>Unit 16<br/>A. RhythmTwentieth-Century Excerpt for Percussion<br/>B. Twelve-Tone Models and Melodic Fragments for Interval Study<br/>C and D. Twentieth-Century Melodies for Careful Study and Preparation<br/>E. Ensembles of the Twentieth Century |