Sight Singing Complete:/ Maureen Carr & Bruce Bevward

By:

Carr, Maureen

Contributor(s):

Bruce Benward

Material type: Text

TextPublication details: New York: McGraw Hill Education, 2005.Edition: 7th edDescription: xix, 348p. : ill. ; Spiral Bound 20*26.5 cmISBN:

978-0-07-312706-4

DDC classification:

23 783.0423 CAR

Contents:

Unit 1 A. RhythmSimple Meter: One-, Two-, and Three-Beat Values B. Diatonic Models and Melodic Fragments for Interval Singing: M2nd and m2nd C. Melodies (Major): M2 and m2 D. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2 E. EnsemblesTwo Voices: M2 and m2 Unit 2 A. RhythmCompound Meter: Triple Division of the Beat B. Diatonic Models and Melodic Fragments for Interval Singing: P5, P4, M3, m3, M2, and m2 C. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2 D. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2 E. EnsemblesTwo Voices: P5, P4, M3, and m3 within the Tonic Triad and M2 and m3 Unit 3 A. RhythmSimple Meter: Duple Division of the Beat B. Diatonic Models and Melodic Fragments for Interval Singing: P8, P5, P4, M3, m3, M2, and m2 C. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2 D. Melodies (Minor) E. EnsemblesTwo Voices: P5, P4, M3, and m3 within the Tonic Triad and M2 and m2 Unit 4 A. RhythmSimple Meter: Quadruple Subdivision of the Beat B. Diatonic Models and Melodic Fragments for Interval Singing: m10, P8, P5, P4, M3, m3, M2, and m2 C. Melodies (Major and Minor): P5, P4, M3, m3, M2, and m2 D. Melodies (Major and Minor): P5, P4, M3, m3, M2, and m2 E. Ensembles Unit 5 A. RhythmSimple Meter: Irregular Division of the Beat (the Triplet) B. Diatonic Models and Melodic Fragments for Interval SingingNew Intervals: M6 and m6 C. Melodies (Major and Minor): New Intervals: M6 and m6 D. Melodies (Major and Minor): New Intervals: M6 and m6 E. Ensembles Unit 6 A. RhythmSimple Meter: More DifficultQuadruple Subdivision of the Beat B. Diatonic Models and Melodic Fragments for Interval SingingReview: M6 and m6 C. Melodies (Major and Minor): M6 and m6 D. Melodies (Major and Minor): M6 and m6 E. Ensembles Unit 7 A. RhythmReview of Simple Meter with Emphasis on Irregular Division of the Beat: The Triplet B. Diatonic Models and Melodic Fragments for Interval SingingNew Interval: M7 C. Melodies (Major and Minor): New Intervals: M6 and m6 D. Melodies (Major and Minor): New Intervals: M6 and m6 E. Ensembles Unit 8 A. RhythmReview of Simple Meter and Compound Meter B. Diatonic Models and Melodic Fragments for Interval SingingNew Interval: M7 C. Melodies (Major and Minor): m7 D. Melodies (Major and Minor): m7 E. Ensembles Unit 9 A. RhythmCompound Meter: Subdivision of the Beat B. Diatonic Models and Melodic Fragments for Interval SingingNew Intervals: A4 and d5 C. Melodies (Major and Minor): Chromatic Alterations, Modulating and Nonmodulating D. Melodies (Major and Minor): Chromatic Alterations, Modulating and Nonmodulating E. Ensembles Unit 10 A. RhythmSimple Meter: Mixed Meters and Irregular Division of the Beat B. Diatonic and Chromatic Models and Melodic Fragments for Interval SingingReview: A4 and d5 C. Melodies with Chromatic Alterations D. Melodies with Chromatic Alterations: Modulating E. Ensembles Unit 11 A. RhythmCompound Meter and Simple Meter: Irregular Divisions of the Beat (the Quartolet in Compound Meter, and the Triplet in Simple Meter) B. Diatonic and Chromatic Models and Melodic Fragments for Interval SingingNew Intervals: d7 and A2 C. Melodies with Unusual Modal Characteristics D. MelodiesChromatic Alterations: Modulating and Nonmodulating E. Ensembles Unit 12 A. RhythmCompound Meter and Simple Meter: Subdivision of the Beat into Eight Parts B. Diatonic and Chromatic Models and Melodic Fragments for Interval StudyNew Intervals: A6 and d3 C. Melodies with Unusual Modal Characteristics D. MelodiesChromatic Alterations: Modulating and Nonmodulating E. Ensembles Unit 13 A. RhythmSimple Meter: The Supertriplet B. Diatonic and Chromatic Models and Melodic Fragments for Interval SingingNew Interval: d4 C. Melodies Related to Jazz D. Melodies by Duke Ellington E. Ensembles Unit 14 A. RhythmSimple Meter and Compound Meter: The Subtriplet B. Diatonic, Chromatic, Whole-Tone, and Octatonic Models and Melodic Fragments for Interval Singing C. Twentieth-Century Cabaret Songs by Arnold Schoenberg D. Twentieth-Century Songs E. Ensembles Unit 15 A. RhythmChanging Meters B. Diatonic, Chromatic, Whole-Tone, and Octatonic Models and Melodic Fragments for Interval Study C. Twentieth-Century Songs for Careful Study and Preparation D. Vocalises by Arthur Honegger, Bohuslav Martinū, and Olivier Messiaen E. Ensembles of the Twentieth Century Unit 16 A. RhythmTwentieth-Century Excerpt for Percussion B. Twelve-Tone Models and Melodic Fragments for Interval Study C and D. Twentieth-Century Melodies for Careful Study and Preparation E. Ensembles of the Twentieth Century

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Current library	Collection	Call number	Status	Barcode
Books	Tetso College Library Reference	Non-fiction	783.0423 CAR (Browse shelf(Opens below))	Not For Loan	15189

Unit 1
A. RhythmSimple Meter: One-, Two-, and Three-Beat Values
B. Diatonic Models and Melodic Fragments for Interval Singing: M2nd and m2nd
C. Melodies (Major): M2 and m2
D. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2
E. EnsemblesTwo Voices: M2 and m2
Unit 2
A. RhythmCompound Meter: Triple Division of the Beat
B. Diatonic Models and Melodic Fragments for Interval Singing: P5, P4, M3, m3, M2, and m2
C. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2
D. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2
E. EnsemblesTwo Voices: P5, P4, M3, and m3 within the Tonic Triad and M2 and m3
Unit 3
A. RhythmSimple Meter: Duple Division of the Beat
B. Diatonic Models and Melodic Fragments for Interval Singing: P8, P5, P4, M3, m3, M2, and m2
C. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2
D. Melodies (Minor)
E. EnsemblesTwo Voices: P5, P4, M3, and m3 within the Tonic Triad and M2 and m2
Unit 4
A. RhythmSimple Meter: Quadruple Subdivision of the Beat
B. Diatonic Models and Melodic Fragments for Interval Singing: m10, P8, P5, P4, M3, m3, M2, and m2
C. Melodies (Major and Minor): P5, P4, M3, m3, M2, and m2
D. Melodies (Major and Minor): P5, P4, M3, m3, M2, and m2
E. Ensembles
Unit 5
A. RhythmSimple Meter: Irregular Division of the Beat (the Triplet)
B. Diatonic Models and Melodic Fragments for Interval SingingNew Intervals: M6 and m6
C. Melodies (Major and Minor): New Intervals: M6 and m6
D. Melodies (Major and Minor): New Intervals: M6 and m6
E. Ensembles
Unit 6
A. RhythmSimple Meter: More DifficultQuadruple Subdivision of the Beat
B. Diatonic Models and Melodic Fragments for Interval SingingReview: M6 and m6
C. Melodies (Major and Minor): M6 and m6
D. Melodies (Major and Minor): M6 and m6
E. Ensembles
Unit 7
A. RhythmReview of Simple Meter with Emphasis on Irregular Division of the Beat: The Triplet
B. Diatonic Models and Melodic Fragments for Interval SingingNew Interval: M7
C. Melodies (Major and Minor): New Intervals: M6 and m6
D. Melodies (Major and Minor): New Intervals: M6 and m6
E. Ensembles
Unit 8
A. RhythmReview of Simple Meter and Compound Meter
B. Diatonic Models and Melodic Fragments for Interval SingingNew Interval: M7
C. Melodies (Major and Minor): m7
D. Melodies (Major and Minor): m7
E. Ensembles
Unit 9
A. RhythmCompound Meter: Subdivision of the Beat
B. Diatonic Models and Melodic Fragments for Interval SingingNew Intervals: A4 and d5
C. Melodies (Major and Minor): Chromatic Alterations, Modulating and Nonmodulating
D. Melodies (Major and Minor): Chromatic Alterations, Modulating and Nonmodulating
E. Ensembles
Unit 10
A. RhythmSimple Meter: Mixed Meters and Irregular Division of the Beat
B. Diatonic and Chromatic Models and Melodic Fragments for Interval SingingReview: A4 and d5
C. Melodies with Chromatic Alterations
D. Melodies with Chromatic Alterations: Modulating
E. Ensembles
Unit 11
A. RhythmCompound Meter and Simple Meter: Irregular Divisions of the Beat (the Quartolet in Compound Meter, and the Triplet in Simple Meter)
B. Diatonic and Chromatic Models and Melodic Fragments for Interval SingingNew Intervals: d7 and A2
C. Melodies with Unusual Modal Characteristics
D. MelodiesChromatic Alterations: Modulating and Nonmodulating
E. Ensembles
Unit 12
A. RhythmCompound Meter and Simple Meter: Subdivision of the Beat into Eight Parts
B. Diatonic and Chromatic Models and Melodic Fragments for Interval StudyNew Intervals: A6 and d3
C. Melodies with Unusual Modal Characteristics
D. MelodiesChromatic Alterations: Modulating and Nonmodulating
E. Ensembles
Unit 13
A. RhythmSimple Meter: The Supertriplet
B. Diatonic and Chromatic Models and Melodic Fragments for Interval SingingNew Interval: d4
C. Melodies Related to Jazz
D. Melodies by Duke Ellington
E. Ensembles
Unit 14
A. RhythmSimple Meter and Compound Meter: The Subtriplet
B. Diatonic, Chromatic, Whole-Tone, and Octatonic Models and Melodic Fragments for Interval Singing
C. Twentieth-Century Cabaret Songs by Arnold Schoenberg
D. Twentieth-Century Songs
E. Ensembles
Unit 15
A. RhythmChanging Meters
B. Diatonic, Chromatic, Whole-Tone, and Octatonic Models and Melodic Fragments for Interval Study
C. Twentieth-Century Songs for Careful Study and Preparation
D. Vocalises by Arthur Honegger, Bohuslav Martinū, and Olivier Messiaen
E. Ensembles of the Twentieth Century
Unit 16
A. RhythmTwentieth-Century Excerpt for Percussion
B. Twelve-Tone Models and Melodic Fragments for Interval Study
C and D. Twentieth-Century Melodies for Careful Study and Preparation
E. Ensembles of the Twentieth Century

There are no comments on this title.

to post a comment.